Marc Destrubé enjoys a diverse international

career on historical and modern violins,

performing as soloist, chamber musician,

concertmaster or director/conductor.

He is co-concertmaster of the Orchestra of the

18th Century (Amsterdam), first violinist of the

Axelrod String Quartet (Smithsonian Institution, Washington, DC) and of the Vancouver quartet Microcosmos, and is a regular guest director and soloist with the Australian Brandenburg Orchestra, the Australian Haydn Ensemble and Lyra Baroque Orchestra. In Vancouver he has been director of the Pacific Baroque Orchestra, concertmaster of the CBC Radio Orchestra and first violinist with the Purcell String Quartet. He performs regularly for Early Music Vancouver, is Artistic Director of the Pacific Baroque Festival (Victoria), a member of the Turning Point Ensemble, and concertmaster of the Oregon Bach Festival Baroque Orchestra. His recording of Haydn violin concertos (ATMA) has been critically acclaimed, and he has commissioned and premiered numerous works by Canadian composers. A highly-respected teacher, he has been a visiting artist at the Paris, Utrecht and Moscow Conservatories, the Banff Centre, University of Indiana, Case Western University, UVic, UBC and VCC. He is on the faculty of the Berwick Academy at the Oregon Bach Festival and course co-director of the Twin Cities Baroque Instrumental Programme. http://marcdestrube.com



The passionate artistry of violinist Linda Melsted 

has won the hearts of audiences across North

America, Europe, and Japan. Currently

concertmaster of Seattle Baroque Orchestra,

she has appeared as soloist, member, and leader

of many outstanding ensembles, including

Tafelmusik, Portland Baroque Orchestra, Pacific

MusicWorks, Pacific Baroque Orchestra, and Freiburg Baroque Orchestra. Linda is the featured soloist in Tafelmusik’s documentary “Le Mozart Noir”, and has recorded for Sony, ATMA, Classique, and Harmonia Mundi.


Linda’s true love is chamber music. She has performed with many ensembles in chamber music series from Toronto to Seattle including Early Music Vancouver, Gallery Concerts, Northwest Showcase, Camerata Musica, Folia, Discovery Island Music Festival, La Primavera, and Toronto Music Garden. She is co-founder of the chamber ensemble sound|counterpoint (www.soundcounterpoint.org) as well as the Cosi Quartet, a classical oboe quartet, and the Salish Sea Players (www.salishseaplayers.org), a group dedicated to bringing early music to retirement and nursing facilities in the greater Seattle area. Linda is also a cat lover and shares her home with three cute kitties-Gus, Gerome, and Kalli. Linda performs on a Nicolo Amati violin.


Natalie Mackie studied cello at the Conservatoire

de Musique (Québec), followed by a degree from

the School of Music, University of British Columbia. While at UBC, she began studying viola da gamba as well,

and later pursued further studies at the Koninklijk Conservatorium in The Hague. Natalie has played

with many ensembles in Canada and the U.S.,

including New World Consort, Les Coucous

Bénévoles, Tafelmusik Baroque Orchestra, Seattle

and Portland Baroque Orchestras, Les Voix Humaines, Les

Voix Baroques, Tempo Rubato, Oregon Bach Festival

Orchestra, Victoria Baroque Players, Vancouver Intercultural

Orchestra, and others. She has toured throughout Canada, the U.S. and Europe, playing in cities such as New York, Boston, San Francisco, at London’s Wigmore Hall, Paris, Cologne, Strasbourg, Utrecht and Bologna, among others, and has recorded for Radio France, German Radio, BBC, CBC, and NPR, as well as the Canadian label Atma Classique. She plays violone, viola da gamba, and occasionally baroque cello, in Pacific Baroque Orchestra, and the Bach Cantata Project players, and frequently appears in Early Music Vancouver’s summer Festival. Natalie also has a passionate and abiding interest in new music and performs newly commissioned works both as a soloist and with the ensembles of which she is a member.


Michael Jarvis has been called one of Canada's

finest harpsichordists, fortepianists and continuo

players, and is in demand as a collaborative artist.

He may be heard on Marquis, Hungaroton, ATMA,

and Naxos CDs, as well as London Records, and

has broadcast nationally for the CBC and in the

US on NPR. Michael hosted three specials on

Bravo-TV: "A Baroque Christmas", "A Baroque Easter” and co-hosted the13-part series on 19th-century domestic music, "Come into the Parlour". He conducted in Toronto the premiere of the 12-tone opera “Cassandra” by Vancouver composer Ian McAndrew to rave reviews in Opera Canada. His performing editions of 17th/18th century choral and organ music have been published by GIA, Chicago. He has taught harpsichord at the University of Toronto, Wilfred Laurier in Waterloo, and Havergal College, Toronto, and fortepiano at UBC. Recently he has worked with violinist Paul Luchkow in an exploration of the Classical/Romantic sonata repertoire. Their recording of Hummel Sonatas (a Western Canada Music Award nominee, on a fortepiano from 1800) for fortepiano and violin/viola is available on Marquis Classics. His forthcoming CD on the Marquis label, the complete sonatas for harpsichord and violin (on mythological themes), op.25 by Michel Corrette, is currently in post-production. Michael lives in Victoria, BC.






La Modestine is an exciting new chamber music ensemble formed by four fine west coast musicians with a love of playing music of the 17th and 18th centuries together. The members bring a wealth of international experience to playing this enchanting repertoire on period instruments.

    LA MODESTINE

Music before 1750

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